by Teresa Areces
(i)
From one eye I lie. Handle words
like body parts, whisper darling
through unheard air. Voice shut-off &
gentle, fresh as new year’s promise.
My she-reflection looks back
at me. I am not sure what side of
the glass I am on. Ma petite misère,
she smiles Don’t you just love the taste
of endings? Between the deep red
eye of the sun and hers, I quiet.
I say it again but very faintly.
(ii)
From the other eye, I tell what little
truth I possess, pluck it from the
depths of me. Call you darling hoping you
will hear it. It crumbles before touching you.
In this stillness again I try. I want you to know
the truth. The air is clammy, dark, thick with unspoken
tension begging for a leakage. In this stillness I
break and break it with me, mottle lethargy
with confession. I draw your name,
find its center line. It croons in my
lips like an anthem, nests in the soft wetness
of my tongue where it belongs. In the drenched
brine smell of your sleep, I breathe
again. You’re as mine as water. We
both know that. Awake you turn to me: what
would this love look like, translated to truth?
It has not doors nor wings. We both
look outside. Blackbird aches of unbeing.
I steal its flightpath, give it to you.
(iv)
Your nakedness draws us into safety,
Hand draped over my waist, woman
inseparable from shadow. These night
dances soften our edges. Movements
amplified by the dark, smooth and
translucent like seaglass. My skin is
sticky and warm. I don’t want to be holy.
(iv)
The sun is bruised on my thighs & Oh,
baby: is your heart not stone? Will you
look to the eye that looks at you?
Teresa Areces is studying both biotechnology and philosophy. But really, what she is is a swelling poet, and little more. She began writing poetry a few years ago, and has no publication history. Among the things she loves are cinema, silence and sunny meadows.